卡蒂婭·格雷羅，法朵歌手
Katia Guerreiro, Fado Singer
2000 年，她開始歌唱時，她也同步拿到醫(yī)學學位，并隨后從醫(yī)12 年。后來，人們評價她說，白天，她作為醫(yī)生治療身體，晚上，她用歌聲、用法朵（Fado），治愈靈魂。2000年，她就是這樣開始成為一名法朵歌手，用靈魂歌唱，在法朵中綻放光芒，多年后放棄行醫(yī)，專注于“治愈”靈魂。
25 年后，她被譽為新千年最重要的法朵歌手之一，多元化的國際文化界公認的法朵和葡萄牙形象大使。
她曾登臺世界眾多聲名卓著的劇院和各大音樂節(jié)，榮獲葡萄牙予亨里克王儲勛章和法蘭西藝術與文學騎士勛章。她是全球公認的葡萄牙文化杰出代表，同輩中最為杰出的歌唱家之一。其在職業(yè)生涯中所獲獎項和榮譽，證明了她在傳播葡萄牙文化和提升葡萄牙國際形象方面所做出的寶貴貢獻。
2025年，卡蒂婭精心準備了一場音樂會，回顧她職業(yè)生涯中的高光時刻。這將是跨越她所有專輯的音樂旅程，最重要的是，并向所有作曲家、詩人、音樂家和朋友致敬，他們一直是她四分之一個世紀旅程中的好伙伴...
佩德羅·德·卡斯特羅，葡萄牙吉他
Pedro de Castro, Portuguese Guitar
佩德羅-德-卡斯特羅是當代最優(yōu)秀的吉他演奏家之一。他靈感迸發(fā)、多才多藝、獨樹一幟，具有深厚的傳統(tǒng)根基。
佩德羅對自己彈奏的每一個音符都孜孜以求。他將葡萄牙吉他的聲音帶到了世界各地的數百個舞臺上，并常年在里斯本的兩個法朵之家向聽眾展示他的出眾才華和真摯的音樂表達。他極富表現力，有自己獨到的音樂風格，讓聽眾過耳難忘，不僅因為他精湛的音樂技藝，還因為他音樂中觸達心靈的真情。
在其職業(yè)生涯，與卡蒂婭·格雷羅（Katia Guerreiro）、里卡多·里貝羅（Ricardo Ribeiro）、卡馬內（Camané）、卡爾米尼奧（Carminho）、拉奧·卡奧（Rão Kyao）、若昂·布拉加（João Braga）、維森特·達-卡馬拉（Vicente da Câmara） 和 塞萊斯特·羅德里格斯（Celeste Rodrigues ）等法朵歌手錄制唱片。他還曾與男高音歌唱家多明戈、以及馬蒂尼奧·達維拉（Martinho da Vila）、伊萬·林斯（Ivan Lins）和法法·德·貝倫（Fafá de Belém）等大師同臺演出。
2022 年，他發(fā)行了首張個人獨奏專輯《Festim》，向大師們致敬。
葡萄牙吉他在世界器樂舞臺上的地位日益突出，它不僅是法朵的標志性樂器，其音色也是葡萄牙文化的代名詞。
安德烈·拉莫斯，古典吉他
André Ramos, Classic Guitar
安德烈出生時就自帶法朵歌手的基因。成長于法朵世家，對法朵的喜愛仿佛融入血液，從很小年紀起就開始彈吉他和唱歌。他是同代中最受歡迎的吉他手之一，也是歷史悠久的著名法朵圣地 Mesa de Frades 的常駐吉他手之一。目前還是法朵歌手卡蒂婭··格雷羅（Katia Guerreiro）和特雷辛哈·蘭代羅（Teresinha Landeiro）的吉他手，并與卡米尼奧（Carminho）、庫卡-羅塞塔（Cuca Roseta）、海爾德-穆蒂尼奧（Helder Moutinho）和里卡多-里貝羅（Ricardo Ribeiro）等法朵名家合作。
弗朗西斯科·卡斯帕，貝司
Francisco Gaspar, Acoustic Bass
他與法朵的接觸是在與朋友們的多次愉快聚會中增長的，而他最崇拜的人是喬爾-皮納教授。隨著時間的推移，他有幸向偉大的法朵音樂家學習，并為知名人士和新一代法朵歌手伴奏。他參加過國內/國際演出，并為眾多法朵歌手發(fā)行的專輯伴奏。他經常為瑪利亞-達菲（Maria da Fé）、若昂-布拉加（João Braga）、里卡多-里貝羅（Ricardo Ribeiro）、卡蒂婭-格雷羅（Katia Guerreiro）、拉奎爾-塔瓦雷斯（Raquel Tavares）、吉塞拉-若昂（Gisela João）和特雷辛哈-蘭黛羅（Teresinha Landeiro）等知名法朵歌手伴奏。
侯宇，特邀京劇
Hou Yu, Beijing Opera
Yu Hou is a cultural ambassador of Fosun Foundation, a world-class actor of the Jingju Theater Company of Beijing, and an inheritor of the Chinese Peking Opera genre. She received her MFA from the National Academy of Chinese Theatre Arts in 2009, attended the Chinese School of Inheritance’s workshop in 2010, majored in brush painting at the Tsinghua Academy of Fine Arts in 2014, and graduated from The 6th Youth Graduate Class of the Chinese Academy of Opera in 2017. Born in a long line of Liyuan disciples, Hou studied Peking Opera from the young age of three and entered the Peking Opera Art School at the age of seven. After graduating from the university in 2006, she joined the youth troupe of the Jingju Theater Company of Beijing and is now a leader of outstanding young talents at the theatre. In 2009, she studied with famous Peking Opera artists Mingyan Li and Baoxiu Zhao and was also mentored by artist Ziru Zheng for many years. Her other mentors include Zhenquan Sun, Jingai Zhao, Yawen Lin,
Lan Zhang, Liping Li, and Ziping Wang. She frequently performs in plays, such as The Golden Turtle, Meet the Empress and Fight the Dragon Robes, The Tattoos of Yue’s Mother, The Banquet, Eight Treasure Tonic, The Red Lantern, Li Kui Visits His Mother, Yang’s Heroine, and The Pair of Flower Guns. Hou placed first in the professional category of the 4th Beijing Jingkun Competition in 2001, won the gold medal at the 4th National Opera Red Plum in 2009, and won the “Ringmaster” silver medal at the 7th CCTV Youth Peking Opera Grand Prix in 2012. Her other accolades include the Grand Prize at the 2016 Autumn Tsinghua Academy of Arts for the creation of a Chinese painting, a Certificate of Honor at the 2017 CCTV Spring Festival Gala, and the 2019 Shanghai Magnolia Award.
Beijing opera is one of the most influential opera genres in China. It is known as the "national opera," concentrated in Beijing and distributed nationwide. Named by Lanfang Mei, the Peking Opera performance system represents the Eastern theater performance system as a whole and is regarded as one of the three major performance systems in the world. Peking opera is an essential expression of traditional Chinese culture, and many of its artistic elements are used as symbols of traditional Chinese culture. Peking Opera features four main role types: Sheng (gentlemen), Dan (women), Jing (rough men or villains), and Chou (clown). Each role has a distinctive set of performance forms as well as unique acting and singing techniques. The repertoire of Peking Opera includes over 1,300 traditional plays, with more than 300 or 400 plays being performed regularly — most of which consist of tellings of historical stories and folklore. In May 2006, the State Council approved the inclusion of Peking Opera in the first cohort of the national intangible cultural heritage list. In 2010, it was added to the Representative List of Intangible Cultural Heritage of Humanity on the UNESCO Intangible Cultural Heritage List.
